Funck women on the side

Added: Danella Pokorny - Date: 21.02.2022 21:39 - Views: 42220 - Clicks: 5890

With its distinctive sound and often pornographic lyrics the funk music sound of Rio de Janeiro's shanty towns - funk carioca - used to be a male-dominated world. Born in the s in Rio's poorest neighbourhoods, the music was inspired by Miami bass - a version of hip hop. Songs were based around themes such as poverty, race and sex. In the past it used to thrive in some areas dominated by drug traffickers, and parties were often attended by heavily armed men.

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But now in a striking change, funk carioca is being adapted as a voice for feminism among working-class women. There has been a big increase in the of female funk artists - funkeiras - in recent years. Their music talks as explicitly about sex as that of the funkeiros, the male funk artists. They defend sexual equality and say they want to break with the myth that a man has power over a woman's body. Some of the terms widely used to refer to women in funkeiro lyrics are "cachorras", or dogs, "preparadas", ready for sex, or "popozudas", big bottom.

The implication is that women play a servile role in bed and in life in general. As funkeiras increasingly dominate the scene, the perception about women's role in funk and in society is also changing. One of the first female singers to compose lyrics with a feminist approach was Valesca Popozuda. She started her career eight years ago as the vocalist and founding member of the group Gaiola das Popozudas, Cage of Big Bottomed Women.

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The group gained national recognition with songs containing highly sexualised language that also promoted gender and sexual equality. In one of her group's biggest hits, Now I Become A Whore, Valesca talks about a woman who used to be beaten and cheated on by her partner and took revenge on him by finding a lover. The singer told the BBC she did not expect her music to have a feminist impact but is happy with the outcome. Ronaldo Lemos believes songs like those sung by Valesca also reflect the social changes taking place in Brazil, where 40 million people have been lifted out poverty over the past decade.

The explicit content of Valesca's music, seen as vulgar by many, sparked a debate recently in Brazil Funck women on the side she became the theme of a Master's dissertation. Mariana Gomes, a post-graduation student at Universidade Federal Fluminense in Rio, is considering how women are gaining a new voice through funk. But journalist Rachel Sheherazade, of TV network SBT, said on air and later in her blog that the link Ms Gomes is trying to establish between funk and feminism is "a joke". Valesca says she cannot please everyone with her work and challenges criticism that her songs are obscene.

So why can a woman not write similar songs about the female side of the story? Feminist writer Lola Aranovich believes the songs which advocate women's entitlement to express their sexuality freely are very positive, especially for poor women who are still forgotten by the state. On the other hand, she points out that the choreography performed by funkeiras tends to focus on buttocks and breasts.

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Valesca Popozuda is herself named after the size of her surgically enhanced bottom. She also has breast implants. This, says Ms Aranovich, "is obviously not feminist and turns the woman into merchandise", describing the message that women should have surgery to maintain or boost their appearance as "very negative".

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The trend has not gone unnoticed by Brazil's male funkeiros. The artist known as Mr Catra, whose own songs often contain highly sexualised language, says he recognises the growing feminist message in the funk scene. However, he believes the women are running a risk. Malu Machado, a year-old student in Rio, says those kind of attitudes are outdated and do not reflect the way women live their lives today.

Maid to entrepreneur: Rising out of poverty in Brazil. City of God, 10 years on. Rio seeks to boost favela tourism.

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Feminist impact. Polarised views. More on this story. Published 23 October Published 6 August Published 9 November

Funck women on the side

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Is explicit funk carioca Brazil's new feminist movement?